My work explores the relationship between man and the living and non-living, the traces of mating and infectious exchanges with which he is marked as he frequents, domesticates and eats the species he cohabits with; as he develops technological objects which, in return, shape his subjectivity and transform his nature. In installations, speculative stories and films, I capture and reveal signs of the critical existential situation faced by man at a time of major ecological crisis and industrial transition, which have resulted in a loss of bearings and a need for him to call into question his condition, his beliefs, and his place with the world.

This year I began working on an artistic thesis with Le Fresnoy – Studio national des arts contemporains and Université de Lille in order to extend my research and to create a community of artists, writers and researchers capable of reflecting on a new cosmo-technology, one of the expressions of which would be the human being. This first phase is advancing on two fronts, theoretical and artistic, and I shall be exhibiting the state of my research for Panorama 21.