Felipe Esparza’s work creates dynamic links and tensions between cinema, the visual arts and video creation. His projects display a marked interest in social content and an exploration of themes such as nature, non-verbal communication, the sacred, its symbolic derivatives and the relationship between image and body and image and truth. He tackles the complex relationship of these themes through visual narratives in which contemporary visual imagination cohabits with archives and local and universal cultural codes, creating metalingual pieces.

Ses vidéos et installations vidéo ont été vues dans des centres d'art nationaux tels que : MALI, Luis Miro Quesada, Lugar de la Memoria, Ministerio de Cultura (Lima) et international comment : A la Gaite Lyrique (Paris), Haus der Kulturen der Welt (Berlin), Triennial Guangzhou Image (Chine), Shangyuang Contemporary Art Museum (Beijing), Videobrasil Festival (Sao Paulo), Lisbon Municipal Chamber (Portugal), Los Angeles Film Forum, HANGAR Contemporary Art Production Centre (Barcelone), Reina Sofia Museum (Madrid), Buenos Aires Video Art Festival.