In this installation, spectators are invited to stand between two facing screens. Their two projections, like two landscape paintings, create an interaction between two states: that of the passage of an aircraft carrier and that of a tsunami. The Liaoning aircraft carrier is home to a group of sailors and operates in an orderly, organised fashion. It represents Chinese military autonomy, but it is also part of the double contradiction I want to explore between the relationship with time and the individual-collective relationship. The tsunami is also another incarnation of a collective force. When an earthquake occurs at the bottom of the sea, the dynamics of the shock wave cause the sea to surge violently, creating an extremely destructive physical wave. By combining the image of the aircraft carrier with that of the tsunami, I wanted to create an installation that represents this conflict between the individual and the collective, between manmade and natural forces, between an efficient autonomous order and an order without autonomy.