In a limpid, suspended, almost artificial atmosphere, Matilda 1 and Matilda 2 suggest the story of 19th-century English and American botanists in their observation of the plant world. Their dialogues born from the study of plants intertwine with the technical language of the 3D software user; they bring out a common sensibility shared between these scientific and digital practices under the sign of feminist empowerment. They carry the history of these emancipated women, those past and those to come.

 In the course of their exchanges, Matilda 1 and Matilda 2 are contaminated by a green fluidity in their thoughts and guided towards the depths of the marshes by computer-generated images that melt their bodies into a strange and luminescent environment.